Smithson mocked Park Place Groupâs fourth-dimensional ambitions as laughable
Evidence
Thus, he concluded, âif we apply this âha-ha-crystalâ concept to the monumental models being produced by some of the artists in the Park Place Group, we might begin to understand the fourth-dimensional nature of their work.â Their ambitions were laughable. â J. Hoberman, Everything Is Now, 1034
Categorization
- CANDY: Smithsonâs claim that âthe chuckle is a triangleâ and âa guffaw is asymmetricâ is a wonderfully tweetable absurdist art-theory moment.