Single sponsors could censor entire television news shows to protect their products
Evidence
NBCâs lackadaisical approach was epitomized by the Camel News Caravan, its television news show. The fifteen-minute Caravan was hosted by a former actor, John Cameron Swayze, and consisted mainly of his reading out headlines and playing newsreels designed for movie theaters, until delivering his signature sign-off, âThatâs the story folks,â almost the same one used by Porky Pig. The show was not only superficial but also subject to onerous censorship and direction by Camelâs owner, the R. J. Reynolds Company. The sponsors preferred upbeat news, and mandated coverage of football (for men) and fashion (for women). They also set out a surprisingly detailed speech code that barred any display of competing brands, pipes, cigars, not to mention âno-smoking signsâ as well as actual, living camels. When, in 1952, Readerâs Digest published a report linking, for the first time, cigarettes and cancer, the ensuing media sensation somehow never reached the Camel News Caravan. As one writer put it, âWhat Camel wanted, Camel gotâŠbecause they paid so much.â â Tim Wu, The Attention Merchants, 443
Categorization
- SHARE: The detail that Camelâs speech code banned âno-smoking signsâ and even actual living camels from its own news show is a delightfully specific fact for anyone interested in advertising history or the J. Walter Thompson school.
- XREF: Connects to the broader chapter theme of sponsor control over content that Wu traces through radio into early TV; also resonates with modern native advertising debates. â connects to: Sponsor-driven television suppressed any programming that contradicted upbeat commercial messages â Tim Wu, The Attention Merchants, 497
- SEED: Potential article angle: how single-sponsor funding shaped early television news content â the âCamel News Caravanâ as the ancestor of todayâs advertorial and sponsored content.