Since the sixties, no new cultural paradigm has displaced the post-Elvis one

Evidence

In the twenty-first century, cultural tastes stayed remarkably close to the post-Elvis paradigm, in which decades-old music still felt vibrant and contemporary. When Pharrell and Thicke played in the artistic conventions of Marvin Gaye’s song, it wasn’t ironic—it was the defining groove of the year. — W. David Marx, Blank Space, 383

Categorization

Category: Contrarian or Surprising Claims

• QUESTION: Core of the reader’s counter-case: could hip-hop’s 1990s-2000s genre blending count as a paradigm shift that Marx dismisses too quickly?

Related

• Late-century music still feels contemporary because no new paradigm replaced it (similarity 0.90)
• Culture has not undergone a genuine paradigm shift since the sixties (similarity 0.83)
• Cultural paradigms replace previous aesthetics entirely when they shift (similarity 0.82)
• Old electronic music no longer ages because the culture stopped progressing (similarity 0.82)
• Each past decade had a signature style; the 2000s onward do not (similarity 0.79)
• Each postwar decade was anchored by distinct stylistic movements that marked time (similarity 0.78)