Shepard tones are not perceptually identical across the octave.
Evidence
Even with this scheme, some notes are qualitatively different from others: some give a stronger sensation of two pitches; others reveal, with practice, the low frequencies sneaking in to eventually take the place of higher ones when they approach t = 0. β Eric J. Heller, Why You Hear What You Hear- Anβ¦, 2120
Categorization
Category: Contrarian or Surprising Claims
- QUESTION: This contradicts the usual claim that Shepard tones are all perceptually equal around the loop β worth checking against cited experiments.
Related
- Shepard tones use only power-of-two partials plus amplitude shaping to create the illusion. (similarity 0.86)
- A Shepard tone creates an endlessly ascending pitch while staying within one octave (similarity 0.84)
- Shepard tones create endlessly rising pitch through shifting autocorrelation peaks (similarity 0.83)
- A sound can rise in pitch forever without ever rising in frequency (similarity 0.81)
- Endlessly accelerating beat rhythms are Shepard tones shifted down in frequency. (similarity 0.81)
- Even nonperiodic noise sounds convey a weak pitch sensation based on spectral energy distribution (similarity 0.78)
Broader Connections
- A Shepard tone creates an endlessly ascending pitch while staying within one octave
#corroborates(0.85) β David M. Howard, Jamie Angus, Acoustics and Psychoacoustics, 1641