Qualitative pitch mirrors the qualitative nature of autocorrelation peaks

Evidence

Autocorrelation-based analysis has proven to be able to explain several phenomena of pitch perception (Plack et al., 2005). In addition, such models can be applied to segregate different sound sources, particularly to segregate concurrent vowel sounds from each other when the sounds differ in terms of the fundamental frequency (Meddis and Hewitt, 1992). — Ville Pulkki, Matti Karjalainen, Communication Acoustics- An…, 1658 (#expands, via linked claim)

When we listen to a note played on a musical instrument and we perceive it as having a clear unambiguous musical pitch, this is because that instrument produces an acoustic pressure wave which repeats regularly. … Each section that repeats is known as a “cycle” and the time for which each cycle lasts is known as the “fundamental period” or “period” of the waveform. The number of cycles which occur in one second gives the fundamental frequency of the note in hertz (or Hz). The fundamental frequency is often notated as “f0”, pronounced “F zero” or “F nought”, a practice which will be used throughout the rest of this book. — David Howard, Jamie Angus, coustics and Psychoacoustics, 774 (#contradicts, via linked claim)

Categorization

  • XREF: connects to: Pitch is a human synthesis keyed to autocorrelation, not pure physics; Pitch perception corresponds to peaks in the autocorrelation function — Eric J. Heller, Why You Hear What You Hear- An…, 2033; Autocorrelation predicts perceived pitch of non-harmonic partial groups (+7 more)

Broader Connections