Pitch shifting can alter pitch without changing spectral character.
Related
- Raising a tone’s level lowers low-frequency pitch but raises high-frequency pitch (similarity 0.84)
- Pitch differences caused by shifts are not purely fine-structure based (similarity 0.83)
- Absolute pitch precision is roughly ten times that of trained relative-pitch listeners (similarity 0.83)
- Pitch shift magnitude correlates inversely with pitch strength of masked tones (similarity 0.82)
- Pitch shifts with intensity but individual listener variability is large. (similarity 0.81)
- Pitch depends only on spectrum and periodicity, not volume or direction. (similarity 0.81)
- Pitch can be modeled as a positional sensation scaled by discrimination steps (similarity 0.81)
- A set of harmonically related partials shifted together still changes perceived pitch. (similarity 0.80)
- A pianoforte with raised dampers can physically re-echo sung vowels via sympathetic resonance (similarity 0.80)
- Masking-induced pitch shift is a product of three pattern-derived factors (similarity 0.80)
- Pitch coding shifts between place and entracking mechanisms depending on stimulus level (similarity 0.79)
- Pitch for shifted harmonic complexes depends on fine structure but not envelope period (similarity 0.79)
- A capella groups can adopt just intonation, causing overall pitch to drift through keys (similarity 0.79)
- Tenors need not tune their tracts because their pitch-to-formant ratio stays high (similarity 0.79)
- Pitch strength varies independently of perceived pitch height (similarity 0.79)