Metropolitan theory inflates single genres into universal forms for the Third World

Evidence

It is doubtful, of course, that ‘magical realism’ has become ‘the literary language of the emergent post-colonial world’, any more than the ‘national allegory’ is the unitary generic form for all Third World narrativities, as Jameson would contend. Such pronouncements are now routine features of the metropolitan theory’s inflationary rhetoric. — Aijaz Ahmad, In Theory, 110

Categorization

  • QUESTION: Worth chasing: how did ‘magical realism’ come to be treated as the default postcolonial mode despite being a Latin American export? Testable against which national literatures actually use it.
  • ADDENDUM: Relates to the ‘Grafting & Growth’ essay sense of how literary conventions get naturalized as infrastructure — here a generic convention inflated into a universal.
  • XREF: connects to: Metropolitan institutions assemble and control most knowledge produced about the Third World; Third World Literature as a category is built on Western language archives; Metropolitan literatures distort any theory of third-world writing built from them. (+3 more)