Mass commercial culture is always secretly utopian because manipulation needs a fantasy bribe

Evidence

On the one hand, he has insisted — it is one of his most daring and distinctive themes — that utopian impulses are inherently at work in the reified products of mass commercial culture too, since these ‘cannot be ideological without at one and the same time being implicitly or explicitly utopian as well; they cannot manipulate unless they offer some genuine shred of content as a fantasy bribe to the public about to be so manipulated’ — a bribe that will consist in some figuration, no matter how distorted or buried, of a redeemed collective order. This function Jameson terms their ‘transcendent potential — that dimension of even the most degraded type of mass culture’ which remains ‘negative and critical of the social order from which, as a product and a commodity, it springs’. The films which illustrate the argument are Jaws and The Godfather. — Perry Anderson, The Origins of Postmodernity, 303

Categorization

  • DEEPTHINKING: The ‘fantasy bribe’ thesis is densely counterintuitive: ideology cannot manipulate without simultaneously offering a shred of redeemed collective order. This inverts the standard left suspicion of mass culture and resists one-sentence summary.
  • ADDENDUM: Speaks directly to the ‘Grafting & Growth’ article’s treatment of sentient/mythic trees and cultural materials: mass culture as commodity that smuggles utopian content into reified form parallels how craft objects carry embedded social imaginaries.
  • XREF: connects to: Mass cultural manipulation depends on genuine Utopian longings — Fredric Jameson, The Political Unconscious, 6911; Culture consumed as consumer goods manipulates people rather than liberating them.; Mass culture creates the very needs it then claims to satisfy — Theodor W. Adorno, The Culture Industry: Selected Essays…, 113 (+1 more)

Broader Connections