Marginality from the world undercuts the rootedness art and thought require

Evidence

Woman is thus the main pole of poetry and the substance of works of art; her leisure allows her to devote herself to the pleasures of the mind: inspiration, critic, writer’s audience, she emulates the writer; she can often impose a type of sensitivity, an ethic that feeds men’s hearts, which is how she intervenes in her own destiny: women’s education is mainly a feminine conquest. And yet as important as this collective role played by intellectual women is, their individual contributions are, on the whole, of a lesser order. Woman holds a privileged place in the fields of the mind and art because she is not involved in action; but art and thinking derive their impetus in action. Being on the fringes of the world is not the best place for someone who intends to re-create it: here again, to go beyond the given, one must be deeply rooted in it. Personal accomplishments are almost impossible in human categories collectively kept in an inferior situation. “Where can one go in skirts?” asked Marie Bashkirtseff. And Stendhal: “All the geniuses who are born women are lost for the public good.” If truth be told, one is not born, but becomes, a genius; and the feminine condition has, until now, rendered this becoming impossible. — Simone de Beauvoir, The Second Sex, 290

Categorization

  • DEFINE: Extends Beauvoir’s core apparatus — action as the impetus of art, and the paradox that marginality grants cultural access but denies creative rootedness.
  • XREF: Reverses the marginal-advantage thesis she inherits from Hegel/Sartre (the outsider sees clearly); here marginality is precisely what blocks re-creation of the world. — connects to: Intellectual originality can be a product of marginal social position — Georg Simmel, on individuality and social forms_…, 10; Thought requires active engagement with a modifying cultural environment to be real — Antonio Gramsci, Selections from the Prison Notebooks, 1254; Theory and art must depart from context rather than dissolve into immediacy — Anna Kornbluh, Immediacy, or The Style of Too Late…, 325 (+4 more)
  • SEED: Article angle: the ‘genius is becoming, not born’ claim as a repudiation of Romantic innate-talent ideology — who has historically been granted the conditions for that becoming.

Broader Connections