Live concerts of big-name artists seek to reproduce recorded studio sound

Evidence

Big name artists engage in elaborate tours, spanning the globe. They became popular through recordings created in studios and reconstructing the essence of that recorded “sound” in a concert situation is what the fans expect. Portions of studio recordings are frequently blended into live performances, and lip syncing is apparently not uncommon. It might seem like cheating, but there are some effects that cannot be duplicated in live performances. In the end, the delivered “art” is what matters. — Toole, Floyd E, Sound reproduction- the acoustics and…, 259

Categorization

• XREF: connects to: Reproduced recordings can reveal high-frequency detail inaudible in live concert halls; Reproducing the live venue experience has been the longstanding goal of audio enthusiasts; Recordings are artistic constructions, not literal captures of live sound — Toole, Floyd E, Sound reproduction- the acoustics and…, 371 (+3 more)
• yield-rescued: below the book’s yield-target cutoff, included anyway for connecting to: Reproduced recordings can reveal high-frequency detail inaudible in live concert halls; Reproducing the live venue experience has been the longstanding goal of audio enthusiasts; Recordings are artistic constructions, not literal captures of live sound — Toole, Floyd E, Sound reproduction- the acoustics and…, 371 (+3 more)

Broader Connections

• Reproducing the live venue experience has been the longstanding goal of audio enthusiasts #complicates (0.78)
• Reproduced recordings can reveal high-frequency detail inaudible in live concert halls #complicates (0.75)
• Most popular-music recordings are built from close-miked or synthesized sounds, not live acoustic performances #complicates (0.72) — Toole, Floyd E, Sound reproduction- the acoustics and…, 258