Increasing flue airflow makes pitch jump upward in discrete overblown steps

Evidence

If a pipe is overblown, its f0 jumps to the next higher mode that the resonator can support: up one octave to the second harmonic for an open pipe, and up an octave and a fifth to the third harmonic for the stopped pipe. — David Howard, Jamie Angus, coustics and Psychoacoustics, 1211 (#expands, via linked claim)

Categorization

• XREF: connects to: Upward note bending fails because airflow cannot reinforce both resonances at once; Raising airflow or lowering the cut-up makes flue pitch jump discontinuously; Overblowing a pipe jumps its pitch to the next resonator-supported harmonic — David Howard, Jamie Angus, coustics and Psychoacoustics, 1211 (+1 more)

Related

• Raising airflow or lowering the cut-up makes flue pitch jump discontinuously (similarity 0.99)
• Upward note bending fails because airflow cannot reinforce both resonances at once (similarity 0.94)
• Raising airflow or lowering cut-up makes flute pitch jump discretely (similarity 0.88)
• Overblowing a pipe jumps its pitch to the next resonator-supported harmonic (similarity 0.87)
• Air reed pitch is set entirely by resonator length and pipe openness. (similarity 0.81)
• Chiff-voiced open pipes briefly sound an octave high at onset (similarity 0.80)
• Resonator length and end condition alone determine flue pipe pitch (similarity 0.78)

Broader Connections

• Raising airflow or lowering the cut-up makes flue pitch jump discontinuously #expands (0.95)
• Overblowing a pipe jumps its pitch to the next resonator-supported harmonic #expands (0.90) — David Howard, Jamie Angus, coustics and Psychoacoustics, 1211
• Air reed frequency rises with airflow velocity and falls with cut-up length #qualifies (0.85)