Fanon argues colonial subjects show psychotic-adjacent symptoms.

Evidence

In the end, Bigger Thomas acts. To put an end to his tension, he acts, he responds to the world’s anticipation. So it is with the character in If He Hollers Let Him Go28 –who does precisely what he did not want to do. That big blonde who was always in his way, weak, sensual, offered, open, fearing (desiring) rape, became his mistress in the end. The Negro is a toy in the white man’s hands; so, in order to shatter the hellish cycle, he explodes. — Frantz Fanon, Constance Farrington, Black skin, white masks, 553 (#expands, via linked claim)

The truth is that the study of an occupied people, militarily subject to an implacable domination, requires documentation and checking difficult to combine. It is not the soil that is occupied. It is not the ports or the airdromes. French colonialism has settled itself in the very center of the Algerian individual and has undertaken a sustained work of cleanup, of expulsion of self, of rationally pursued mutilation. — Frantz Fanon, A Dying Colonialism, 222 (#expands, via linked claim)

Categorization

  • XREF: connects to: Colonial subjects act out violently to end unbearable psychological tension — Frantz Fanon, Constance Farrington, Black skin, white masks, 553; Colonial hysteria manifested in murderous acts for settlers but suicide-like self-exposure for the colonized; Colonialism occupies the individual’s psyche, not merely the territory — Frantz Fanon, A Dying Colonialism, 222 (+4 more)

Broader Connections