Everyday perception reveals things as permanent wholes indifferent to their changing profiles

Evidence

These disjunctures and discrepancies in size undermine any sense of continuity or punctum. Without the familiar framework of a consistent vanishing point, the eye roams across the scene, dwelling in small details and trying to add it all up. This process forces us to notice our own “construction” of every scene that we perceive as living beings in a living world. In other words, the piece is a collage not so much because Hockney had an aesthetic fondness for collage, but because something like collage is at the heart of the unstable and highly personal process of perception. — Jenny Odell, How to Do Nothing, 360 (#complicates, via linked claim)

Categorization

• XREF: connects to: Perception itself is collage-like and never continuous — Jenny Odell, How to Do Nothing: Resisting the…, 360; The being of everyday objects is veiled by their instrumental function; Phenomenology restores the unnoticed richness of everyday experience — Sarah Bakewell, At the Existentialist Café: Freedom,…, 147 (+1 more)

Broader Connections

• Perception itself is collage-like and never continuous #complicates (0.75) — Jenny Odell, How to Do Nothing, 360