Even nature exhibits are made without nature sounds

Evidence

A Place for Nature plays on a flat-screen monitor with a soundtrack of words, entirely without nature sounds. — Gordon Hempton, John Grossmann, One Square Inch of Silence- One Man’s…, 1366

Categorization

• SEED: Essay angle: how the visual trumps the aural even in conservation settings — the museum scene where audio was cut for photos.
• corroborated: 2 independent passages support this claim — Gordon Hempton, John Grossmann, One Square Inch of Silence- One Man’s…, 1366
• XREF: connects to: Visual bias consistently outranks sound in public nature exhibits — Gordon Hempton, John Grossmann, One Square Inch of Silence- One Man’s…, 1379; Reading and playing music can occur without genuine listening — Pauline Oliveros, Deep Listening, 46; Distant wind can be heard across intervening stillness without being felt — Schafer, Murray R, The Soundscape- Our Sonic Environment…, 79

Broader Connections

• Visual bias consistently outranks sound in public nature exhibits #corroborates (0.75) — Gordon Hempton, John Grossmann, One Square Inch of Silence- One Man’s…, 1379
• Distant wind can be heard across intervening stillness without being felt #contradicts (0.30) — Schafer, Murray R, The Soundscape- Our Sonic Environment…, 79
• Reading and playing music can occur without genuine listening #qualifies (0.20) — Pauline Oliveros, Deep Listening, 46