Even jamming static was reinterpreted as evidence of the resistance’s presence.

Evidence

The radio receiver guaranteed this true lie. Every evening, from nine o’clock to midnight, the Algerian would listen. At the end of the evening, not hearing the Voice, the listener would sometimes leave the needle on a jammed wave-length or one that simply produced static, and would announce that the voice of the combatants was here. For an hour the room would be filled with the piercing, excruciating din of the jamming. Behind each modulation, each active crackling, the Algerian would imagine not only words, but concrete battles. The war of the sound waves, in the gourbi, re-­enacts for the benefit of the citizen the armed clash of his people and colonialism. As a general rule, it is the Voice of Algeria that wins out. The enemy stations, once the broadcast is completed, abandon their work of sabotage. The military music of warring Algeria that concludes the broadcast can then freely fill the lungs and the heads of the faithful. These few brazen notes reward three hours of daily hope and have played a fundamental role for months in the training and strengthening of the Algerian national consciousness. — Frantz Fanon, A Dying Colonialism, 306

Categorization

  • XREF: The re-enactment of armed struggle inside the household via sound waves parallels — and mirrors in reverse — how colonial medicine’s physical interventions made political domination tangible in the body. Both are material mediations of colonial power. — connects to: Claiming to hear the absent radio voice became a truth-bearing act of resistance. — Frantz Fanon, A Dying Colonialism, 304

Broader Connections