Contemplative serenity in prose conceals a hidden violence of authority.

Evidence

But when this latter serves as a pretext for envy – all intellect necessarily revealing a moment of vanity as soon as it represents itself – the reason for the uneasiness becomes clear. It stems from the contemplative leisureliness, the sermonizing, however sporadic, the indulgently raised forefinger. The critical content of the thought is belied by that air of having all the time in the world, familiar from professorial pillars of the status quo, and the irony with which this impersonator of Voltaire admits on his title pages to membership of the Académie Française rebounds on its witty author. His mode of delivery contains, beneath the poised humanity, a hidden violence: he can afford to talk in this way because no-one interrupts the master. The element of usurpation inherent in all holding-forth, and even in all reading aloud, has seeped into the lucid construction of his periods, which reserve so much repose for the most disquieting things. — Theodor W. Adorno, Minima Moralia, 113

Categorization

  • XREF: Directly applicable to the reader’s own craft: ‘usurpation inherent in all holding-forth, even in all reading aloud’ is a warning every essayist and presenter should internalize. — connects to: Violence includes psychic and representational forms beyond physical force — David Theo Goldberg, The Threat of Race: Reflections on…, 1819; Spiritual ideology can mask obsessive-compulsive and despotic behavior — Holm Gero Hümmler, Ulrike Schiesser, Fact and Prejudice: How to Communicate…, 458; Serene images are often constructed by writers in states of considerable fear — Jamal Awil, The Whispering Archive: The Complete…, 1630 (+4 more)
  • SEED: Essay angle: how tranquil, already-written prose performs an unearned authority — the professorial ‘forefinger’ as invisible coercion in both philosophy and modern punditry.

Broader Connections