Competing recordings of the same work show enormous, sometimes poor, perspective choices.

Evidence

Spending time on a streaming service that allows one to hear the same symphonic passage as recorded by different labels at different times reveals an absolutely enormous range of interpretations of auditory perspective and sound quality. Some are not very good. — Toole, Floyd E, Sound reproduction- the acoustics and…, 410

Categorization

• QUESTION: Which specific recordings or labels exemplify good vs bad auditory perspective choices? The claim invites a comparative listening study.
• XREF: connects to: Eccentric camerawork can shift attention to marginal details — Hilary Mantel, A Memoir of My Former Self- A Life in…, 385; Turning around on a live recording reverses perceived orchestral space — David Howard, Jamie Angus, coustics and Psychoacoustics, 1682
• yield-rescued: below the book’s yield-target cutoff, included anyway for connecting to: Eccentric camerawork can shift attention to marginal details — Hilary Mantel, A Memoir of My Former Self- A Life in…, 385; Turning around on a live recording reverses perceived orchestral space — David Howard, Jamie Angus, coustics and Psychoacoustics, 1682