Colonial map coloring evolved into a detachable logo-map that fueled national identity.

Evidence

The second avatar was the map-as-logo. Its origins were reasonably innocent – the practice of the imperial states of colouring their colonies on maps with an imperial dye. In London’s imperial maps, British colonies were usually pink-red, French purple-blue, Dutch yellow-brown, and so on. Dyed this way, each colony appeared like a detachable piece of a jigsaw puzzle. As this ‘jigsaw’ effect became normal, each ‘piece’ could be wholly detached from its geographic context. In its final form all explanatory glosses could be summarily removed: lines of longitude and latitude, place names, signs for rivers, seas, and mountains, neighbours. Pure sign, no longer compass to the world. In this shape, the map entered an infinitely reproducible series, available for transfer to posters, official seals, letterheads, magazine and textbook covers, tablecloths, and hotel walls. Instantly recognizable, everywhere visible, the logo-map penetrated deep into the popular imagination, forming a powerful emblem for the anticolonial nationalisms being born. — Benedict Anderson, Imagined Communities, 664

Categorization

  • DEFINE: Defines the ‘map-as-logo’ concept — the final structural form of the colonial map that becomes a pure, decontextualized emblem.
  • SEED: The logo-map’s infinite reproducibility as national emblem parallels how flag, anthem, and other synecdoches compress a whole imagined community into a portable sign — an essay angle comparing logo-maps to the hyper-condensed identity emblems used in contemporary identity politics.
  • XREF: connects to: North American colonies’ compact geography enabled a continental ‘American’ identity to coalesce. — Benedict Anderson, Imagined Communities: Reflections on…, 240; The map can create a national community where none previously existed — Benedict Anderson, Imagined Communities: Reflections on…, 668

Broader Connections