Colonial ethnography reduces African rites to obscene primitive spectacle

Evidence

Black magic! Orgies, witches’ sabbaths, heathen ceremonies, amulets. Coitus is an occasion to call on the gods of the clan. It is a sacred act, pure, absolute, bringing invisible forces into action. What is one to think of all these manifestations, all these initiations, all these acts? From very direction I am assaulted by the obscenity of dances and of words. — Frantz Fanon, Constance Farrington, Black skin, white masks, 473 (#corroborates, via linked claim)

It was the colonialist’s frenzy to unveil the Algerian woman, it was his gamble on winning the battle of the veil at whatever cost, that were to provoke the native’s bristling resistance. The deliberately aggressive intentions of the colonialist with respect to the haïk gave a new life to this dead element of the Algerian cultural stock—dead because stabilized, without any progressive change in form or color. We here recognize one of the laws of the psychology of colonization. In an initial phase, it is the action, the plans of the occupier that determine the centers of resistance around which a people’s will to survive becomes organized. — Frantz Fanon, A Dying Colonialism, 164 (#exemplifies, via linked claim)

Categorization

  • XREF: connects to: Colonial violence destroyed traditional mourning rites by making every death colonial; Depicting Africans as primitive legitimized colonial invasion and plunder.; Black identity is reduced to a catalog of stereotyping colonial caricatures (+4 more)

Broader Connections