Bourgeoisie aestheticized crime to mask their own practiced illegalities

Evidence

The other inaugurated the theoretical play of an illegality of the privileged; or rather it marked the moment when the political and economic illegalities actually practised by the bourgeoisie were to be duplicated in theoretical and aesthetic representation: the ‘Metaphysics of crime’, a term often associated with Lacenaire. — Michel Foucault, Discipline & Punish- The Birth of the…, 435

Categorization

  • XREF: Parallels the surveillance thesis: the powerful both monitor and conceal their own illicit practices behind spectacle. — connects to: Bourgeois economic growth depended on tolerated popular illegalities — Michel Foucault, Discipline & Punish- The Birth of the…, 140; The bourgeoisie expropriated popular culture to legitimize its rule; New crime literature dispossessed common people of their criminal glory — Michel Foucault, Discipline & Punish- The Birth of the…, 124 (+11 more)

Broader Connections