Black Baptist women blended feminine and masculine self-images as homemakers and soldiers

Evidence

Black Baptist men and women did not debate Christ’s feminine versus masculine nature, but the duality captured the complexity of images surrounding their own racial and gender identities. A dialogic imagery of Christ as simultaneously feminine and masculine, passive and aggressive, meek and conquering informed African Americans’ self-perceptions and self-motivations. This was true for them as individuals and as a group. Black Baptist women continually shifted back and forth from feminine to masculine metaphors as they positioned themselves simultaneously within racial and gendered social space. Whether united with black men, or working separately in their own conventions or cooperatively with white Baptist women, black Baptist women expressed a dual gender consciousness—defining themselves as both homemakers and soldiers. Their multiple consciousness represented a shifting dialogic exchange in which both race and gender were ultimately destabilized and blurred in meaning. — Evelyn Brooks Higginbotham, Righteous Discontent, 650

Categorization

  • DEEPTHINKING: Higginbotham extends the politics-of-respectability thesis here: within one coherent cultural identity, black Baptist women held dialogically opposed self-images (homemaker AND soldier) without contradiction — a genuinely dense point about how respectability operated as a shifting, layered strategy rather than fixed code.
  • ADDENDUM: Relevant to ‘Complaints About Immodesty Go Way Back’ — the choreography of respectable self-presentation is shown to be a shifting inner dialogue, i.e. the performance is always addressed to multiple audiences (black men, white women, God) at once.
  • XREF: Connects to W.E.B. Du Bois’s ‘double consciousness’ and later intersectionality theory naming — Higginbotham is offering her own variant in ‘multiple consciousness,’ a direct ancestor of Kimberlé Crenshaw. — connects to: Feminine imagery of God circulated into black communities through syndicated white sermons. — Evelyn Brooks Higginbotham, Righteous Discontent: The Women’s…, 642; Black Baptist women strategically mixed war and domestic imagery to justify public activism — Evelyn Brooks Higginbotham, Righteous Discontent: The Women’s…, 670; Black Baptist women fused a rhetoric of war with one of domesticity — Evelyn Brooks Higginbotham, Righteous Discontent: The Women’s…, 670 (+4 more)

Broader Connections