An uncredentialed craftsperson gained two decades of studio access through persistence

Evidence

It’s a good thing I’m not a stalker, because I knew how to get onto every studio lot in Hollywood, where I became known as the Knitter to the Stars. For over two decades I made and sold sweaters to most of the sitcoms and soap operas that filmed in Los Angeles. — Dolores DeLuce, Blow Jobs, 78

Categorization

  • SEED: The whole chapter is a case study in how informal, relationship-based artisanship penetrated a closed industry — usable as an angle on the ‘side door into Hollywood’ economy.
  • XREF: connects to: The most acclaimed performers treated a small vendor with the most respect — Dolores DeLuce, Blow Jobs: A Guide to Making It in Show
, 79; A rising friend’s career arc can tow an artist along into opportunities — Dolores DeLuce, Blow Jobs: A Guide to Making It in Show
, 254; An uncredentialed instrument maker became acoustics’ most incisive researcher (+1 more)

Broader Connections