Adorno called for a post-serial musique informelle to resume free atonal composition.

Evidence

In the summer of 1961, Adorno attempted in his lecture at Kranichstein to point the most recent music in the direction it should take: it should move vers une musique informelle', towards the musical style of freedom’, towards resuming the project of developing free atonal music at a post-serial stage. — Rolf Wiggershaus, The Frankfurt School, 542

Categorization

• XREF: Connect to Adorno’s 1961 Kranichstein lectures and the ‘musique informelle’ concept in his writings on new music. — connects to: Adorno advocated free atonal music at a post-serial stage in his 1961 Kranichstein lecture — Rolf Wiggershaus, The Frankfurt School: Its History,…, 2201; Adorno held that artistic material should be liberated from tonal myths by humanizing consciousness. — Rolf Wiggershaus, The Frankfurt School: Its History,…, 366; Atonal music embodied a premature reconciliation of mind and nature for Adorno — Rolf Wiggershaus, The Frankfurt School: Its History,…, 328
• yield-rescued: below the book’s yield-target cutoff, included anyway for connecting to: Adorno advocated free atonal music at a post-serial stage in his 1961 Kranichstein lecture — Rolf Wiggershaus, The Frankfurt School: Its History,…, 2201; Adorno held that artistic material should be liberated from tonal myths by humanizing consciousness. — Rolf Wiggershaus, The Frankfurt School: Its History,…, 366; Atonal music embodied a premature reconciliation of mind and nature for Adorno — Rolf Wiggershaus, The Frankfurt School: Its History,…, 328

Broader Connections

• Adorno advocated free atonal music at a post-serial stage in his 1961 Kranichstein lecture #corroborates (0.99) — Rolf Wiggershaus, The Frankfurt School, 2201
• Atonal music embodied a premature reconciliation of mind and nature for Adorno #complicates (0.82) — Rolf Wiggershaus, The Frankfurt School, 328