Abu Ghraib photographs revealed American culture’s dependence on the sexual-humiliation equation.

Evidence

It is clear that the appalling Abu Ghraib photographs were already intensely eroticised stagings whose scenarios were derived from cheap American pornography. Love and Napalm: Export USA, indeed. Part of the reason that the Abu Ghraib images were so traumatic for a deeply conflicted American culture which combines religious moralism with hyper-sexualised commerce, and which is united only by a taste for mega-violence, is that they exposed the equation between military intervention and sexual humiliation that the official culture both depends upon and must suppress. — Mark Fisher (edited by Darren Ambrose), K-Punk, 194

Categorization

  • XREF: The ‘official culture both depends upon and must suppress’ figure echoes Freudian/deconstructive logic familiar from the Frankfurt School material on fascism and the manipulation type. — connects to: Cultural conditions rather than rogue individuals produced Abu Ghraib torture — Sherene Razack, Casting Out: The Eviction of Muslims…, 151; The sexualized Abu Ghraib imagery drew on familiar pornographic and racist iconography. — Sherene Razack, Casting Out: The Eviction of Muslims…, 156; Abu Ghraib photographs were deliberate, memorialized spectacles mirroring American lynching postcards — Sophia Rose Arjana, Muslims in the Western Imagination, 752 (+5 more)
  • SEED: Angle: how state atrocity borrows its staging from mass pornography, and why exposure of that dependence triggers cultural trauma rather than moral outrage.

Broader Connections