A visible public persona is a requirement for staying employed in the tech scene.

Evidence

Grant’s position also reveals the extent to which “public living,” and therefore publicity, is necessary for a successful member of the tech scene. For Grant to maintain her freelance career, she needed a visible public persona. Much of her work involved advising nonprofits on social media use, so it was vital for her to demonstrate proficiency with the technologies. And as a sex writer and activist, she was expected to blog and tweet about sex, relationships, and intimacy. Her strategy to reveal the very personal was not only a way for her to keep some topics to herself; it also enabled her to attract an audience and to interest freelance clients. She was able to use this audience interaction to build her career further; in 2010, she and a partner used Kickstarter, a “crowdfunding” site that solicits donations for creative projects, to raise more than $17,000 to print an anthology of sex writing. — Alice E. Marwick, Status Update, 626

Categorization

  • XREF: Corroborates the broader argument that self-branding ties economic livelihood to public visibility, resonating with Marwick’s thesis on micro-celebrity and with subsequent labor-platform literature. — connects to: Technology scene status is conferred through one’s position in business — Alice E. Marwick, Status Update: Celebrity, Publicity,…, 181; Public self-promotion is now required for employment across many occupations — Alice E. Marwick, Status Update: Celebrity, Publicity,…, 406; Tech status hierarchies are made visible and reinforced through public digital connections — Alice E. Marwick, Status Update: Celebrity, Publicity,…, 202 (+2 more)
  • SEED: Angle: the precarity of visibility work in the gig economy—how publicity becomes a de facto employment condition for freelancers, foreshadowing today’s creator-economy labor debates.

Broader Connections