A film sequence can fuse gem interiority into human colonoscopy footage.

Evidence

Zero in on an Ethiopian miner’s hand holding a beige rock, an implausible neon lagoon glinting at its center, and delve deeper into the glittering facets, blur the tight focus, transgress the flat surface, seep into a volume of cloudy color, swerve to a quick black and gush of red, tunnel into a new crystalline depth, scramble letters to align “uncut gems,” morph sparkly polyps into fleshly pinks and pearls, photorealize tissue, veins, and crenulations of a dimly spotlit channel, until, blur again to fade the footage to its housing in a grainy computer screen with blue letters “MIF” “Dr. B” “Hosp”, and finally orient to a voice: “now reaching the right side of the colon.” — Anna Kornbluh, Immediacy, or The Style of Too Late…, 189

Categorization

• DEFINE: Concrete instance of immediacy as video style — worth anchoring with the fuller description in the next paragraph.