1960s communes remain touchstones of dissent decades later.

Evidence

The communes continue to be important touchstones of dissent for those of us despairing fifty years later. In 2017, at the Berkeley Art Museum, I saw an amazing spinning painting from Drop City that looked completely different based on the rate of a strobe light that the viewer could control. It was just as beautiful as ever, just as earnest a question about what art could be, what life could be. — Jenny Odell, How to Do Nothing, 212

Categorization

Category: Factual Claims